The long-awaited retrospective of renowned Chilean artist Roberto Matta, titled 'Roberto Matta. 1911-2002', has opened at Ca' Pesaro in Venice, marking the first major exhibition of his work since 1985. This comprehensive showcase features a rich array of drawings, sculptures, design objects, and paintings, providing a panoramic view of Matta's prolific career spanning over seven decades.
Venice serves as the perfect backdrop for this exhibition, as it is a city that has embraced Matta since his arrival in Italy for the 1948 Biennale. Following his departure from the Surrealist group, Matta established a significant connection with Peggy Guggenheim, who welcomed him into her Venetian residence. The exhibition includes key works like 'Alba sulla terra' (1952), which was acquired by the City of Venice for Ca' Pesaro, highlighting the artist's importance in the international art scene.
The exhibition layout begins with 'Coïgitum' (1972), a ten-meter-wide mural that invites viewers into a non-perspective spatial experience filled with organic machines. This exploration reflects Matta's unique approach to the relationship between interior and exterior spaces, reminiscent of the liquid atmospheres found in Tintoretto's works.
Matta's commitment to social issues is also a focal point, especially his anti-colonial stance during his time in France, which coincided with the Algerian War. Works like 'La Question' (1958) and 'Les Juges partent en guerre' (1967) serve as poignant critiques of violence and repression, illustrating Matta's engagement with contemporary socio-political issues.
The exhibition further highlights Matta's contributions to design, showcasing projects influenced by his early work with Le Corbusier and his innovative use of materials. Notable pieces include 'Margarita' (1969), which reflects his early environmental consciousness.
Through this retrospective, Matta's foresight into contemporary themes such as ecological responsibility and dystopian narratives is emphasized, showcasing his literary influences and visionary storytelling. The exhibition concludes with works from the 1990s, demonstrating Matta's ability to evolve while remaining true to his artistic roots.